Bouquet _ Study. 01
Jeff Kraus’s mixed media pigment compositions deconstruct the still life, reimagining the tradition of flower arrangement through a contemporary lens. Beginning with a quiet ritual—photographing flowers on a windowsill at home—Kraus transforms these images through a process that straddles the physical and the digital. Collaging, printing, and layering, he manipulates his compositions with both digital tools and tactile interventions, allowing the flowers to exist in multiple states at once: vibrant yet fleeting, arranged yet deconstructed. The result is a body of work that explores the tension between permanence and impermanence, presence and decay. By pushing the boundaries between natural and artificial, Kraus suspends moments in time, holding beauty at the precipice of its inevitable dissolution.
In Kraus's words:
Beginning with a quiet ritual of photographing flowers on the windowsill at home, these images become meditations on time, memory, and impermanence. Using both digital tools and physical interventions, I manipulate and layer the photos to create compositions that blur the boundary between the natural and the artificial. The flowers—vibrant yet fleeting—are collaged, printed, and pressed onto the paper, forming layered surfaces that evoke both presence and decay. Each piece exists at the intersection of nature and technology, capturing the tension between permanence and ephemerality. Through this process, I explore the instability of place—how beauty lingers even as it fades, suspending a moment in time even as it dissolves.
Description
Jeff Kraus’s mixed media pigment compositions deconstruct the still life, reimagining the tradition of flower arrangement through a contemporary lens. Beginning with a quiet ritual—photographing flowers on a windowsill at home—Kraus transforms these images through a process that straddles the physical and the digital. Collaging, printing, and layering, he manipulates his compositions with both digital tools and tactile interventions, allowing the flowers to exist in multiple states at once: vibrant yet fleeting, arranged yet deconstructed. The result is a body of work that explores the tension between permanence and impermanence, presence and decay. By pushing the boundaries between natural and artificial, Kraus suspends moments in time, holding beauty at the precipice of its inevitable dissolution.
In Kraus's words:
Beginning with a quiet ritual of photographing flowers on the windowsill at home, these images become meditations on time, memory, and impermanence. Using both digital tools and physical interventions, I manipulate and layer the photos to create compositions that blur the boundary between the natural and the artificial. The flowers—vibrant yet fleeting—are collaged, printed, and pressed onto the paper, forming layered surfaces that evoke both presence and decay. Each piece exists at the intersection of nature and technology, capturing the tension between permanence and ephemerality. Through this process, I explore the instability of place—how beauty lingers even as it fades, suspending a moment in time even as it dissolves.
